E.121 Fantasmic! Obscure Disney Podcast



On this episode of the Obscure Disney Podcast, we are going to dazzle you with our knowledge of the nighttime spectacular; Fantasmic! We discuss our favorite parts of the show, the cost of doing each performance and even talk some spoilers about the exciting finale of the show.

 

Fantasmic! is a nighttime show at Disneyland Park at the Disneyland ResortDisney’s Hollywood Studios at Walt Disney World Resort, and Tokyo DisneySea at Tokyo Disney Resort, that features fireworks, characters, live actors, water effects, pyrotechnics, lasers, music, audio-animatronics, searchlights, decorated boat floats, and mist screen projections. The narrative structure of Fantasmic!—although varying differently in set pieces in all three versions—centers on a voyage through Mickey Mouse‘s imagination that culminates in a battle against the Disney Villains.

Fantasmic! originated at Disneyland in 1992 after Walt Disney Creative Entertainment was asked to create a nighttime spectacular involving water and fireworks to reinvigorate the space in front of the Rivers of America. The area was reworked, including terracing the walkways to accommodate viewing and modifying part of Tom Sawyer Island to allow the show’s staged live-action segments. The producers employed the resources of Walt Disney Feature Animation and Walt Disney Imagineering.

A second version, featuring new scenes, debuted at Disney’s Hollywood Studios in 1998 and a third version debuted at Tokyo DisneySea in 2011, replacing BraviSEAmo!. A new, updated version of the Disneyland version of the show featuring a re-recorded soundtrack in addition to new scenes, lighting, choreography, and costumes debuted in 2017.

 


E.120 Disney Park, After Dark, Obscure Disney Podcast



On this episode of the Obscure Disney Podcast, We chat about the magic that is the parks after dark; the lights, the shows, the rides. Listen to us talk about what is fun to do after the sun goes down and maybe a few constructive suggestions to make your night at Disney all that it can be.


E.119 WDW Did it First



On this episode of the Obscure Disney Podcast, we are asking, Which came first?! Today we explore the attractions that Walt Disney World introduced to the Disney fans that then spread to the rest of the parks. You might be surprised at some of the attractions that originated in Florida.


E.118 Indiana Jones Adventure (Temple of the forbidden Eye) Ride Review Obscure Disney Podcast



On this episode of the Obscure Disney Podcast, we are talking a bit about Indiana Jones Adventure (Temple of the forbidden Eye) at Disneyland in Anaheim California.

 

The Indiana Jones Adventure is an enhanced motion vehicle dark ride attraction at Disneyland and Tokyo DisneySea, based on the Indiana Jones film series. Guests accompany intrepid archaeologist Dr. Indiana Jones on a turbulent quest, aboard military troop transport vehicles, through a dangerously lost temple guarded by a supernatural power.

The attraction premiered as Temple of the Forbidden Eye at Disneyland in Anaheim, California on March 3, 1995, and opened to the general public on March 4, 1995. A second, and nearly identical, version of the ride opened as Temple of the Crystal Skull on September 4, 2001, at Tokyo DisneySea in Chiba, Japan, unrelated to the 2008 film Indiana Jones and the Kingdom of the Crystal Skull.


E.117 Walt Disney’s, The Reluctant Dragon Recap (1941 film)



Today on the Obscure Disney Podcast we are chatting a bit about the 3rd Disney movie, The Reluctant Dragon (1941 film).

 

The Reluctant Dragon is a 1941 American live-action and animated film produced by Walt Disney, directed by Alfred Werker, and released by RKO Radio Pictures on June 20, 1941. Essentially a tour of the then-new Walt Disney Studios facility in Burbank, California, the film stars radio comedian Robert Benchley and many Disney staffers such as Ward KimballFred MooreNorman FergusonClarence Nash, and Walt Disney, all as themselves.

The first twenty minutes of the film are in grayscale and black-and-white, the remainder is in Technicolor. Most of the film is live-action, with four short animated segments inserted into the running time: a black-and-white segment featuring Casey Junior from Dumbo; and three Technicolor cartoons: Baby WeemsGoofy‘s How to Ride a Horse, and the extended-length short The Reluctant Dragon, based upon Kenneth Grahame‘s book of the same name. The total length of all animated parts is 40 minutes.


E.116 Gaston from Beauty and the Beast. Obscure Disney Podcast



On today’s episode of the Obscure Disney Podcast, we are talking all things roughly the size of the barge and covered in hair. We cover everything from Gaston’s Tavern at Walt Disney World, trying the Grey Stuff and then discuss the patch for the month of September; Gaston Interior Design.


E.115 Disneylands Mark Twain Riverboat Ride Discussion



On this episode, if the Obscure Disney Podcast, We are talking about the biggest, whitest boat at Disneyland. The Mark Twain.

Mark Twain Riverboat is an attraction, located at the Disneyland theme park in Anaheim, California, on which passengers embark on a scenic, 12-minute journey around the Rivers of America. Originally named Mark Twain Steamboat when the park opened in 1955, the stately, 5/8-scale stern-wheeler was the first functional riverboat to be built in the United States for fifty years. Other Disney riverboat attractions now appear at Walt Disney World, Tokyo Disneyland, and Disneyland Paris.

 


E.114 Fantasia Disney’s 1940 Movie Discussion



On this fun episode of the Obscure Disney Podcast, we are discussing Fantasia, Disney’s 1940 Movie.

Fantasia is a 1940 American animated film produced by Walt Disney and released by Walt Disney Productions. With story direction by Joe Grant and Dick Huemer, and production supervision by Ben Sharpsteen, it is the third Disney animated feature film. The film consists of eight animated segments set to pieces of classical music conducted by Leopold Stokowski, seven of which are performed by the Philadelphia Orchestra. Music critic and composer Deems Taylor acts as the film’s Master of Ceremonies, providing a live-action introduction to each animated segment.

Disney settled on the film’s concept as work neared completion on The Sorcerer’s Apprentice, an elaborate Silly Symphonies short designed as a comeback role for Mickey Mouse, who had declined in popularity. As production costs grew higher than what it could earn, Disney decided to include the short in a feature-length film with other segments set to classical pieces. The soundtrack was recorded using multiple audio channels and reproduced with Fantasound, a pioneering sound reproduction system that made Fantasia the first commercial film shown in stereophonic sound.

Fantasia was first released in theatrical roadshow engagements held in thirteen U.S. cities from November 13, 1940. While acclaimed by critics, it was unable to make a profit due to World War II cutting off distribution to the European market, the film’s high production costs, and the expense of leasing theatres and installing the Fantasound equipment for the roadshow presentations. The film was subsequently reissued multiple times with its original footage and audio being deleted, modified, or restored in each version. As of 2012, Fantasia has grossed $76.4 million in domestic revenue and is the 22nd highest-grossing film of all time in the U.S. when adjusted for inflation. Fantasia, as a franchise, has grown to include video games, Disneyland attractions, a live concert, and a theatrically released sequel (Fantasia 2000) co-produced by Walt’s nephew Roy E. Disney in 1999. Fantasia has grown in reputation over the years and is now widely acclaimed; in 1998 the American Film Institute ranked it as the 58th greatest American film in their 100 Years…100 Movies and the fifth greatest animated film in their 10 Top 10 list.


E.113 Mickey’s Not-So-Scary Halloween Party 2018



On this quick episode of the Obscure Disney Podcast, we are talking about Mickey’s Not-So-Scary Halloween Party. With dates now beginning in August, How early is too early? Listen in to get our take on Mickey’s Not-So-Scary Halloween Party

Mickey’s Not-So-Scary Halloween Party is a separate-admission Halloween-themed event held annually during the months of August, September, and October at the Magic Kingdom theme park of the Walt Disney World Resort in Lake Buena Vista, Florida, near Orlando, and at Disneyland Paris Resort outside Paris, France. The party began as a response to the Halloween Horror Nights event at Universal Studios Florida. Disney’s event caters to a traditional family atmosphere, whereas Universal’s has more of a “fright-centered” event with their monsters (Count Dracula, Frankenstein’s monster, Jason Voorhees, etc.)

The event encourages guests to dress up in Halloween costumes and celebrate the season with themed events throughout the park. Normal rules prohibit guests over the age of fourteen years from dressing in costume; however, this rule is waived for the party, although anyone dressed as a Disney character is prohibited from signing autographs or posing for pictures with other guests so as not to be confused with regular cast members (the Disney term for employees) in those roles.


E.112 IP Overload?



On this episode of the Obscure Disney Podcast, we are having a conversation on the word of Intellectual Properties known as IP’s. We talk about how Pirates of the Caribbean, The Haunted Mansion, and the Jungle cruise all became movies. We also talk about how fantasy land all came from already released movies.

Intellectual property (IP) is a category of property that includes intangible creations of the human intellect, and primarily encompasses copyrights, patents, and trademarks. It also includes other types of rights, such as trade secrets, publicity rights, moral rights, and rights against unfair competition. Artistic works like music and literature, as well as some discoveries, inventions, words, phrases, symbols, and designs, can all be protected as intellectual property. It was not until the 19th century that the term “intellectual property” began to be used, and not until the late 20th century that it became commonplace in the majority of the world.

The main purpose of intellectual property law is to encourage the creation of a large variety of intellectual goods. To achieve this, the law gives people and businesses property rights to the information and intellectual goods they create – usually for a limited period of time. This gives economic incentive for their creation because it allows people to profit from the information and intellectual goods they create. These economic incentives are expected to stimulate innovation and contribute to the technological progress of countries, which depends on the extent of protection granted to innovators.

The intangible nature of intellectual property presents difficulties when compared with a traditional property like land or goods. Unlike traditional property, intellectual property is “indivisible” – an unlimited number of people can “consume” an intellectual good without it being depleted. Additionally, investments in intellectual goods suffer from problems of appropriation – a landowner can surround their land with a robust fence and hire armed guards to protect it, but a producer of information or an intellectual good can usually do very little to stop their first buyer from replicating it and selling it at a lower price. Balancing rights so that they are strong enough to encourage the creation of intellectual goods but not so strong that they prevent the goods’ wide use is the primary focus of modern intellectual property law